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Orange Movie-Reviewed by Jeevi

Jeevi rating: 3.25/5
Punchline: konthakalam premikudu
Genre: Romance
Type: Straight
Banner: Anjana Productions


Cast: Ram Charan Tej, Genelia, Shahzahn Padamsee, Brahmanandam, Prabhu, Nagababu, Sanjay Swaroop, Manjula Swaroop, Sanchita Shetty, Madhurima Benarjee, Srinivas Avasarala, Vennela Kishore, Praneeth, Gayatri Rao, Kalpika, Pavitra Lokesh etc


Music: Harris Jayaraj
Cinematography: Raja Sekhar & Kiran Reddy
Editing: Marthand K Venkatesh
Art: Anand Sai
Dialogues: Thota Prasad & Surendra Krishna
Story - screenplay - direction: Bhaskar
Producer: K Nagababu
Release date: 26 November 2010
Theater watched: Screen 3, Prasads, Hyderabad




Review
Story


Ram (Ram Charan Tej) is an youngster staying in Australia. He is an honest guy who doesn’t want to complicate life by lying to others. He has clear-cut ideas about love and he thinks that the intensity of love will not remain the same as the relationship progresses. He falls in love at first sight with Jaanu (Genelia) and impresses her over a period of time. However, he clarifies that he can’t love her forever when she proposes to him. The rest of the story is about all the hurdles he comes across due to his honesty and truth-telling nature and how he overcomes them.


Artists Performance


Ram Charan Tej: Ram Charan Tej should be appreciated for accepting such a honest subject with a thin story line for his third movie. It shows that Charan is not trying to stick to stardom and is not willing to repeat the mistakes performed by stars. The entire films runs on his characterization. He is brilliant in the break-up scenes and I loved his don’t-give-a-damn body language. His dances are full of energy and life.


Others: Genelia’s characterization is just an extension to her Bommarillu character. However, the initial scenes involving her are not good. Hero character falls in love with heroine character in the movie because of freshness and innocence (which was there in Bommarillu character). However she didn’t carry such a freshness in this movie. Shahzahn Padamsee looks gorgeous with an endearing smile. Brahmanandam is entertaining in a full-length role of Puppy. Praneeth (Avakai Biryani fame) is very good and engaging as a friend of hero. His mixed the style of Siddharth and Sekhar Kammula in his dialogue delivery. Srinivas Avasarala (Ashta Chemma fame) is cool. Vennela Kishore doesn’t have much role to play. Prabhu is adequate in a role of negative shades. Naga Babu played a nice role and his character gives food for thought to hero. Gayatri Rao, Sanchitha Shetty and Kalpika are adequate.


Technical departments


Story - screenplay - direction: Bhaskar comes up with an unique and nice story that was never dealt on Telugu screen before. The basic point of love staling out over period of a time is an universal truth. Bhaskar explained the same with the ‘black and white’ characterization of Charan. Though he couldn’t get it right with his screenplay and back/forth narration in the first half, he explained the concept of the movie really well towards the climax with a gripping flashback and climax. Bhaskar who has done a beautiful film like Bommarillu with completely positive characters has infused negative shades in the heroine’s father characters in his subsequent films like Parugu and Orange. Having Prabhu’s character as negative one spoilt the mood/texture of the movie.


Other departments: Songs scored by Harris Jayaraj are peppy and energetic. Rooba Rooba song is my favorite. However the background scored for the movie didn’t help in elevating the situations. Dialogues (done by three writers) are partly okay. The philosophical dialogues explaining the concept of love are interesting in the second half. Cinematography and visuals are very good. Cinematography for the entire Mumbai episode is excellent. Marthand K Venkatesh opted for montage style editing (which is usually done for situational songs) for scenes in the first half and they appear jerky because the background score didn’t sync with the visuals. Production values by Anjana Productions are good, but the producer failed in controlling the budget as the money spent for this movie didn’t translate onto the screen (Naga Babu claimed in an interview that he spent 90% of what it cost to make Magadheera).


Analysis: This movie starts off on a dull note. But it gets interesting as Charan’s characterization is introduced. First half of the movie is inconsistent with improper pacing. However, movie gets into the groove from the flashback episode and it becomes a conversational film till climax. Bhaskar has taken a beautiful concept as the basis for story and it needs extreme dexterity to narrate such a story to common moviegoer. Bhaskar succeeded in getting it right towards the climax of the movie. But the ultra-modern orientation and conversations-based treatment might put normal movie goer off the hook. The plus points are Ram Charan Tej, Songs and basic story idea. On the flip side, freshness from heroine and a better handling of the first half would have done wonders to the movie. As for as I am is concerned I am convinced with the second half of the movie and I liked it. On a whole, Orange is an honest film with a nice story idea despite inconsistencies and a few dull moments. You may watch it!



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Orange Movie Review-CineGoer





Director Bhaskar thought he could make a cerebral film with a romantic touch and give it a colour. He also was lucky enough to get a hero who gave a massive hit in the recent past and so gave him the role of a graffiti artist; instead of giving the artist some clarity about his role, he grabs the colour tin from his hand and splashes colours all over the screen, so much that you cannot distinguish orange from red and red from yellow, the end result is that audience go clueless and colour blind.

The director is clearly reeling with a Bommarillu hangover, in this movie Orange instead of a father-son conflict it is a pair of lovers thrashing out their views and ideologies on love. The point is simple, the hero considers himself the world's greatest lover, is obsessed with his likes and dislikes and keeps falling in love with many girls without promising a commitment.

If 'commitment' is the crux of the story, the director fails in eliciting any kind of expression from Ram Charan that remotely shows his beliefs and even his body language doesn't suggest that he has fallen in love even temporarily. The youth for whom the film is targeted are the first ones who fail to feel or connect with the emotion. Strange and also surprising that he is the same director who made Allu Arjun come out with intense emotions in Parugu despite a static location.

To make the character of the film realize his limitations, he wastes a single line script, converts it into a nonsensical drama compelling the audience to take multiple popcorn breaks, so much that even the comedian in the film Brahmanandam scratches his head and declares that he hates love stories. Not many people can understand beyond three colours and it's significance, how else will the vast Andhra Pradesh populace if at all they watch this film, made to understand that Orange is the first flush of love and it has some connection with the story.

Thankfully, he throws up a surprise, you do keep saying okay..there is Gayatri Rao, there is Avasarala Srinivas, there is Naga Babu, Prakash Raj, Prabhu and Manjula and her husband and a miserable marketing strategy..who serve no purpose at all. To show the predicaments, quandary of the protagonist, the filmmaker needs to engage the viewer first in the first fifteen minutes, here you have the hero yelling and the heroine screeching, yelping and the Telugu goes beyond comprehension.

Genelia does look young, but her expressions aren't, they are worn out. There is no novelty in her work, except her hair style. She plays the daughter of a couple who appear once in a while and smile on the framed pictures on the walls, the mother has no problem revealing that she isn't in love any more..but for godsake why that forlorn expression?

It is a universal truth that an ordinary couple do not on a day to day basis keep cootchie cooing and repeating I love you's on a minute to minute basis, even in the best of love marriages, romance takes a back seat once the child comes of marriageable age. The daughter takes the expression from her mother as a revelation which is indeed a serious aberration. Ram Charan looks disinterested in the role and appears to be just another artist in the drama etched out by Bommarillu Bhaskar. Rest of the characters while away their time as well as the audiences.

One number is worth listening and so is Ram Charan's dance. Dialogues are a yawn, visuals are pleasant and Sydney..must ask Bhaskar how it was, and how it looked like because he had been there twice. Had he been faithful to the original [Bachna Ae Haseeno], some sort of sanity would have been achieved. Finally, stay at home, and peel Nagpur Oranges for the tangy and sweet taste..say no to Oranges that have labels.



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